Meet author Susan DeFreitas, who writes with her feline muse Akira Kittysawa.
I’ve had many cat editors over the years, all of whom were kind enough to spare me the worst of their critiques. But perhaps I knew that, in order to get my first novel published, I was going to need a firmer editorial hand.
Enter Akira Kittysawa—a tiny, somewhat shy shelter cat who, within six months of being adopted, had grown into sturdy, assertive alpha feline who, despite having almost no voice, was adept at bending the two humans in the household to her will.
Named after the great movie director Akira Kurosawa, this cat pulled no punches on my novel. Unlike other cat editors, who would meow politely from the floor until invited to weigh in on the manuscript—and would graciously accept being ejected from the process when my editorial instincts ran counter to theirs—Akira (Kira for short) insisted on being intimately involved in the editing process every step of the way.
Her feedback was integral to turning Hot Season from a collection of linked stories from my grad school days into a full-fledged novel, and her determination to remain firmly seated on my lap—no matter how awkward this made typing—really gave me so much insight into some of my own characters, many of whom are just bound and determined to do some really inadvisable things.
For instance, my character Katie? She’s a freshman in college who wants to be an activist, and she’s decided to blow up the construction equipment of a developer that’s set to destroy a local river.
Her roommate Jenna, in her second semester, is determined to do something just as dumb, though probably less dangerous, in cheating on her long-term boyfriend with the hot new guy at school (though she does have suspicions that this new guy might be an undercover agent).
And their third roommate, Rell, may be older and wiser in many ways, but she just can’t seem to keep from trying to keep these girls from doing these dumb things they want to do—which, you might argue, is pretty dumb in an of itself.
All of these characters aren’t trying to cause conflict—they’re just being who they are. Just like Kira isn’t trying to cause conflict when she gnaws on my computer cord (just like she wasn’t trying to cause conflict when she destroyed the last one). She’s just a person who really needs other people to pay attention to her. (Unless she’s never seen them before; in that case, they are completely and utterly terrifying.)
My cat editor reminds me, at every turn, that people really can’t help being who they are—and the conflicts that result are, ultimately, what drive effective fiction.
She also reminds me that characters don’t really show us who they are until they are completely and utterly exasperated with each other.
An author, editor, and educator, Susan DeFreitas’s creative work has appeared in The Utne Reader, Story Magazine, Southwestern American Literature, and Weber—The Contemporary West, along with more than twenty other journals and anthologies. She is the author of the novel Hot Season (Harvard Square Editions, 2016) and a contributor at Litreactor.com. She holds an MFA from Pacific University and lives in Portland, Oregon, where she serves as a collaborative editor with Indigo Editing & Publications.