Category: On Reading




Two workshops at San Diego Writers, Ink!

By Midge Raymond,

I’m looking forward to teaching two workshops at San Diego Writers, Ink on Saturday, July 23, and I hope you’ll join me!

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The morning workshop, Say Anything: How to Write Great Dialogue, is from 10 a.m. to 12 noon. From portraying character to moving the plot forward, dialogue works hard in any story. In this hands-on workshop, we’ll study examples of good dialogue and discuss how and why these work, and we’ll go over tips for how to create your own authentic, realistic voices, with writing exercises that will reinforce the major tenets of effective dialogue.

In the afternoon, join me for Looking Beyond the Web: Research Tips and Tools for Writers, from 1 to 3 p.m. Whether you’re mining your past for a memoir or researching a new subject for a novel, the amount and quality of information you gather makes all the difference. In this workshop, we’ll discuss the importance of going beyond surfing the web, as well as the best ways to tackle research, including making contact, shadowing subjects, and conducting interviews.

For more details and to register, visit San Diego Writers, Ink. Writers are welcome to attend either workshop, and there’s a discount for taking both!



Join me at the Women’s Museum of California on July 10!

By Midge Raymond,

Join me on Sunday, July 10, at 4 p.m. for a the Women’s Museum of California’s Second Sunday Author Series: Women’s Voices, Women’s Stories.

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I am delighted to be part of this fabulous series, curated by Wild Women, Wild Voices author Judy Reeves and supported by San Diego Writers Ink and Point Loma Tea. And I am looking forward to an afternoon talking about My Last Continent, as well as women in science, women artists and writers, and so much more!

Click here to RSVP – I look forward to seeing you there!



Scenes from the book tour

By Midge Raymond,

The first two weeks of the My Last Continent book tour have been incredible — it was such fun to visit Boston, New York, Portland, and Seattle, as well as to celebrate here in Ashland.

As many of you know, my travel companion is Admiral Byrd (those of you who have read My Last Continent will know why he’s so named), and he’s the one who’s been photobombing all my book tour photos. The most frequent comment I get when people see Admiral Byrd in person is, “I thought he was so much bigger.” In fact, he’s a tiny little thing, given to me by a dear friend just before My Last Continent was published. It seemed so fitting that he should join me on the tour.

I’m heading to Southern California soon for another month of events (check them out here!), and in the meantime, here are a few scenes from the past couple of weeks. Join me on Facebook, Instagram, and/or Twitter to follow Admiral Byrd’s (and my) adventures as the tour continues!

Below: Admiral Byrd in the city of Boston and at Papercuts J.P., for a fabulous event with Mark Beauregard and Rachel Richardson….

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New York included visits to my brilliant agent and the amazing team at Scribner before a reading at Shakespeare & Co. that evening…

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The Ashland event at Bloomsbury Books was so festive, with an overflowing crowd of more than 60 friends and readers…

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Powell’s City of Books was especially fun as the crowd included a group of young writers whose energy and great questions made it a lively evening. (And if you’d like a signed copy of My Last Continent, you can order it here!)

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And at Seattle’s iconic Elliott Bay Book Company, I saw plenty of friends and met readers who came in from a gorgeous Seattle evening. (And Elliott Bay also has signed copies of My Last Continent…)

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Seattle: See you tonight at Elliott Bay!

By Midge Raymond,

I was so privileged to have read at Elliott Bay Book Company years ago, when Forgetting English was published, in its former location in Pioneer Square.

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Elliott Bay’s new Capitol Hill location is different in appearance, yet the spirit of this incredible store and its dedicated booksellers remains. I look forward to seeing you all tonight at 7 p.m.!



Join me at Powell’s tonight

By Midge Raymond,

I’m so looking forward to being at Powell’s City of Books in Portland at 7:30 tonight!

Thanks to the amazing Kat von Cupcake, I’m traveling with these sweet cookies, enjoying a lovely sugar high, and so this evening promises to be one of high energy.

See you soon, Portland!

 

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Join me at Bloomsbury Books tonight!

By Midge Raymond,

I’m so excited for my hometown book event in Ashland tonight at 7 p.m. at the lovely Bloomsbury Books.

It’s great fun to see My Last Continent in such good company here at the store … and with the temperatures reaching for 90+ degrees today, I’m looking forward to an evening of ice and penguins and all things Antarctic!

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MY LAST CONTINENT launches today!

By Midge Raymond,

I’m thrilled to see My Last Continent officially out in the world today!

Check out my Facebook page today for a #FacebookFirstReads live event, during which I’ll read from My Last Continent and chat about a scene from the book (at the location in Boston in which it is set).

And, if you’re in Boston, join me in person! I’m also excited to have the opportunity to talk about all things High Seas with Mark Beauregard and Rachel Richardson tonight at Papercuts J.P. in Boston. I loved their two books and am looking forward to a fun and lively chat.

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MY LAST CONTINENT among books “Bringing the Heat” this summer

By Midge Raymond,

I am delighted that My Last Continent is on Bustle’s list of Books That Are Bringing the Heat This Summer.

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My Last Continent is in fantastic company with books by Louise Erdrich, Terry McMillan, Annie Proulx, Anne Tyler, Jacqueline Woodson, Stephen King … and many other authors whose books are on my officially-a-fire-hazard reading pile.

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Check out this list at Bustle, and happy summer reading!



How to be your own editor

By Midge Raymond,

I was recently editing a document online for which my client had already done a spell check, and just to be safe, I checked the spelling one more time (the automated way). According to the spell check, all was well — but later, as I read through the document, I discovered that neither of these spell checks had caught the word improeved.  (I actually looked it up, thinking perhaps I was missing something, but no: improeved is not a word. Not in the English language, anyway, according to Merriam-Webster’s.)

In the same document, I found the word particilarly — also not a word, also not caught by spell check.

Which brings me to Lesson #1: Do not rely on spell check.

Many of us writers rely on ourselves to edit our own work; after all, good editing is expensive. We may have friends, or a writing buddy or group, to read over our stories or novels — and while we hope that these folks can recognize that words like improeved and particilarly need fixing, they may not have the eagle eyes that experts have. And I’m guessing that most average readers may not know (or care) how to properly use a semi-colon, or what a serial comma is, or when The Chicago Manual of Style calls for an open compound versus a closed one. Not every writer can be an editor — but every writer who wants to be published will eventually put his or her work in front of an acquisitions editor, and part of making a good impression is having a cleanly edited manuscript.

So what is a writer to do? If you can afford to hire an editor, go for it. (There are a great many resources out there, too many to outline here — but visit your local community writing center if you have one, see this post for more on how to hire an editor, and check out this list of editing rates to be sure you pay a fair rate.)

There are a few shortcuts when it comes to self-editing — like spell check (which clearly isn’t entirely reliable) and this free software that apparently targets cliches and overused words — but this leads me to Lesson #2: Writers who hope to be in the game for the long term would be wise to learn how to be their own best editors (even though we all, at some point before publication, need a pro).

Below are a few tips for self-editing — not a comprehensive list, by any means, but a few things to keep in mind so that you can make your manuscript as polished it can be before sending it out, as well as avoid the errors most likely to irritate agents and acquisitions editors.

  • Put the writing aside for a bit. When you come back to it with fresh eyes, you’ll be better able to spot errors in grammar, spelling, and punctuation, as well as clunky style issues.
  • Read widely when you’re not writing — and choose your material well. If you read professionally edited books and top newspapers and magazines, for the most part you’ll be getting good examples of what well-written, grammatically proper, and well-punctuated sentences should look like. If you read the work of prize-winning authors, you’ll be getting good examples of how to turn a phrase and how to construct a lovely sentence.
  • Read your work aloud. This is among the best ways to ferret out clunky sentences. If it sounds odd to your ears, there’s probably something going on grammatically or stylistically; rework and re-read until it sounds great out loud. Also, speaking the words helps you avoid some of the misspellings that spell check doesn’t catch: One writer I know submitted a piece to a critique group in which she’d used the word “pubic” instead of “public” (a mistake that was quite hilarious in the context of the story) — and while we’d all read the scene in question beforehand, not one of us noticed this typo until she read it aloud.
  • Read every word. Go through your piece sentence by sentence, word by word. This helps you check for misspellings that you might otherwise skim past, and it also helps you find missing words or repeated words. (I’m always amazed at how many of these show up in my own work…it’s embarrassing, really. But if you catch them all, no one else has to know.)
  • Ask a trusted reader to take a look. This isn’t exactly “self-editing,” but if you have someone who’s willing and able to read your work, ask. Even a casual reader might find a missing word or an odd spelling that is all to easy for you to miss because you’ve read the piece dozens of times.

And, finally, Lesson #3: Embrace grammar, style, and punctuation. Don’t make the mistake of being one of those writers who says, “I don’t need to know how to spell; that’s what editors are for.” These are the writers who very rarely make it to the point of having an editor because sloppy work doesn’t pass muster, especially in these days when getting published is more challenging than ever. So if there’s anything about grammar or punctuation that you don’t know, learn it. If you want to be a better stylist, study the authors you love and learn from them. As a writer your job is not only to tell the story and tell it well, but to hide all the strings (i.e., the grammar and punctuation and everything else that makes the story work on a mechanical level), so that readers can see only the story itself — or, better yet, disappear into the story altogether.



Book publishing in Antarctica

By Midge Raymond,

Of all that Antarctica is known for, who knew it was once a publishing hub? (Well, sort of.)

I’ve been reading about the Aurora Australis — the first book ever written, printed, illustrated, and bound in Antarctica — soon to be offered at auction by Sotheby’s and expected to bring in £70,000.

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Photo from The Guardian.

 

Aurora Australis was produced during Shackleton’s Nimrod Expedition of 1908–09, at Cape Royds on Ross Island in the McMurdo Sound. It was one of many activities Shackleton encouraged of his team so that “the spectre known as ‘polar ennui’ never made its appearance.”

What’s interesting is that by the time this book was created, publishing was not a new thing in the polar regions. Already explorers were publishing articles and newspapers detailing their expeditions — from Edward Parry’s 1819 expedition in search of the Northwest Passage to the South Polar Times, published during Robert Scott’s Discovery and Terra Nova expeditions. And now, of course, you can go online to read the news of what’s happening in Antarctica — for example, The Antarctic Sun, published by the U.S. Antarctic Program; and blog posts from the British Antarctic Survey.

Shackleton’s Nimrod expedition was sponsored by a printing firm, and Shackleton received training and traveled south with a printing press and paper. (Click here to learn more about the challenges of printing in the extreme temperatures of the Antarctic.)

Aurora Australis, which will be auctioned in London on September 30, is 120 pages long and contains poems, stories, essays, and illustrations by ten members of the expedition. Horse harnesses were recycled to create the leather spines, and the covers of the copy up for auction were made from a tea chest. Only eighty copies of the book were printed.



Writers: The Siskiyou Prize is open for submissions!

By Midge Raymond,

If you’re working on a book with environmental or animal-protection themes, Ashland Creek Press has the contest for you.

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The Siskiyou Prize is awarded by Ashland Creek Press for an unpublished, book-length work of prose with environmental themes. The deadline is September 1.

The winner receives $1,000; a four-week residency at PLAYA; and an offer of publication by Ashland Creek Press.

The 2015 prize will be judged by award-winning author Ann Pancake (author of the phenomenal novel Strange As This Weather Has Been and the brand-new story collection Me and My Daddy Listen to Bob Marley).

Click here to learn about last year’s winner, Mary Heather Noble, selected by bestselling author Karen Joy Fowler, whose novel We Are All Completely Beside Ourselves won the 2014 PEN/Faulkner Award and the 2014 California Book Award and was shortlisted for the Man Booker Prize.

For complete details and to submit, visit SiskiyouPrize.com or AshlandCreekPress.com.



Weekly Writing: Earth Day

By Midge Raymond,

With Earth Day coming up on Wednesday, April 22, I wanted to devote today’s writing prompt to Cassie Premo Steele’s new book, Earth Joy Writing.

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This is a book not only for writers but for anyone who wishes to reconnect with nature. The readings, meditations, and writing prompts are divided by month and season, and in honor of Earth Day, here’s one from April:

Go outdoors and notice five different things. It could be one bird. One tree. One cloud. One flower. Or one fallen leaf. What five things asked you to pay attention to them?

Next…

Start with one image…Write that image down, and then keep writing.

Thanks to Cassie for this week’s prompt! And, for more where this came from, check out Earth Joy Writing!



Announcing “Everywhere Stories”!

By Midge Raymond,

I’m thrilled to have a story included in this new anthology from Press 53: Everywhere Stories: Short Fiction from a Small Planet, an anthology of 20 short stories by 20 authors set in 20 countries.

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The collection, compiled and edited by award-winning author Clifford Garstang (What the Zhang Boys Know, In an Uncharted Country), has a a theme that goes beyond geography: It’s a Dangerous World. The stories take readers on journeys to all seven continents: to a portentous soccer game in the Congo, to a mysterious disappearance in Argentina, to post-Katrina New Orleans, to a murder in the Italian countryside, to a quarreling couple in Kazakhstan, to a visit with Chairman Mao in China, to a sketchy dentist in New Zealand…and in my story, “The Ecstatic Cry,” to a remote Antarctic island where a touring passenger overstays his welcome.

I was glad to have the chance to chat with Cliff about Everywhere Stories … as well as upcoming readings and events!

Q: What was the inspiration for Everywhere Stories?
A: I began traveling extensively right after college, when I joined the Peace Corps. I then went to law school, which led to an international career. When I began writing fiction, I was drawn to stories set abroad, and I like to read those stories, as well. It occurred to me that an anthology of short fiction set all over the world might have some appeal, so I approached my publisher, and he loved the idea.

Q: Tell us what’s in the book. Do you cover the whole world?
A: There are a lot of countries on our small planet, so we couldn’t include them all. We’ve hit each of the continents: four of the stories are set in Africa, five in Asia, five in the Americas, four in Europe, and one each in Antarctica and Oceania.

Q: Do you have any plans for a second edition, to include the many other countries on the planet?
A: I’m glad you asked! I’m in discussions with the publisher now about a second volume. My thinking is that we would again have about 20 stories, and the only country we would repeat would be the U.S. In fact, from the original submissions for the book, I’ve asked a number of writers if I could hold their stories for Volume 2, so I’m already well on the way. We’re looking at Fall 2016 for a release.

Q: The book opens with thought-provoking quotes on travel by T.S. Eliot, Aldous Huxley, and Albert Einstein — what do you hope readers come away with after reading this anthology?
A: My own international education began when I joined the Peace Corps. Since then I’ve worked and traveled extensively overseas, but when I return to the U.S. I can’t help feeling that we are primarily xenophobes. We know very little about the rest of the world, even those parts of the world we’ve visited as tourists. So this book—this series—is an attempt to dig below the surface of the world, to find what a casual observer isn’t going to see. So what do I want readers to come away with? I want them to realize that there is a big world out there, and we all have a lot to learn about it.

Q: As a writer yourself, how does creating your own stories affect the way you work/read as an editor?
A: The impact is more the other way around, I think. As an editor, I often see writers doing things that don’t work—falling into long flashbacks that totally stop a story’s forward momentum, for example—and it helps me understand what not to do in my own work. It’s almost like being in a fiction workshop, where the real benefit for a writer is not having his or her own work critiqued but in investing the time and energy to offer constructive feedback to others. In doing that, the writer invariably learns from someone else’s mistakes.

Q: Are there any upcoming events readers should know about?
A: First up is the official launch party, which takes place in Staunton, Virginia, where I live. Four of the 20 contributors will be coming to that. Press 53 will also be celebrating the launch at their annual Gathering of Writers in Winston-Salem NC on October 18. And then throughout the fall, we’ll be posting information about other events on the book’s Facebook page, at: https://www.facebook.com/everywherestories.

And check out this radio interview with Cliff on Rudy Maxa’s World; Cliff comes on at 33:45.