Category: On Reading


Join me in Australia!

By Midge Raymond,

I’m delighted to be heading to Australia this week, where I’ll be doing a series of events around the country.

On September 4 in Adelaide, I’ll be teaching a workshop with John Yunker on book marketing. The workshop includes a copy of Everyday Book Marketing, and all participants will leave the workshop with a customized marketing plan, as well as with ideas for creative book promotions, from book trailers to special events, and for affordable and effective promotional items.

From September 7 to 11, I’ll be joining other artists at the wonderful Brisbane Writers Festival, where I’ll be doing several events, including a master class and a conversation with Joy Lawn about My Last Continent. Learn more here.

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Finally, join me, John Yunker, and Sascha Morrell on September 13 at the University of Sydney for Writing About Animals, a seminar that examines the role literature and language plays in reimagining our relationship with animals. Combined with readings, this seminar will offer insights into the ways in which twenty-first century animal literature can enlighten as well as entertain.

Click here for more info. Admiral Byrd will, of course, be joining me for all events.

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Women in Antarctica

By Midge Raymond,

It was such a pleasure to have the privilege of presenting My Last Continent at the Women’s Museum of California as part of its Second Sunday Author Series: Women’s Voices, Women’s Stories program. Although the narrator of My Last Continent is a female penguin researcher, women are relatively new to Antarctica — the first woman to set foot on the continent didn’t do so in 1935.

Still, women are a big part of Antarctic history; they made it possible for the explorers, all men, to be away for years at a time. (Check out the book Polar Wives for a fascinating look at the lives of the women behind the polar explorers.)

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It took a long time for women to become part of Antarctic research and exploration in their own right. The first woman to land on Antarctica, mentioned above, was the wife of a whaling captain. The first women to winter on the continent, in 1947, were the wives of expedition members. And even the first woman to work for the U.S. Antarctic Program, during the 1969-70 season, was there with her husband.

Yet by 1974, the U.S. base McMurdo Station welcomed the first female chief scientist, and now one-third of the scientists and support staff at McMurdo are women. We still have a long way to go, but it’s great to see this trend.

And this year has seen an increasing spotlight on women working in Antarctica. And, as part of an initiative to bring women scientists together, a women-only expedition to Antarctica will depart for the continent this December. In addition to science, tourism brings many women scientists, researchers, and naturalists to Antarctica as well.

For some fantastic reading about women in Antarctica, check out the short story “Sur” by Ursula K. LeGuin…one of my favorite short stories ever, and a brilliant glimpse, albeit fictional, into women’s lives in the Antarctic.

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Bookstore Geek: Papercuts J.P.

By Midge Raymond,

I was delighted to celebrate My Last Continent‘s book launch in my former hometown of Boston, where I was able to do a brief “Facebook Live” reading from Antarctic explorer Admiral Richard Byrd’s former home on Beacon Hill before an event at one of Boston’s most wonderful treasures, Papercuts J.P.

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Kate and Katie (Kate Layte, owner and manager, and Katie Eelman, media and events coordinator) are such wonderful hosts; this event (and most events here at Papercuts J.P.) are more like parties than book readings. The store is cozy, and Kate and Katie often match up writers for a more in-depth exploration of books, theme, and genre.

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At this event, I joined novelist Mark Beauregard (The Whale: A love story) and Rachel Richardson (Hundred-Year Wave) for readings and a discussion of love, the high seas, research, writing, and so much more.

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And perhaps most celebratory of all, on the day of our event, copies of The Papercuts Anthology: What Happened Here, Volume 1 arrived. This terrific anthology features work by writers who visited the store during Papercuts’ first year, including Abigail Thomas, Edan Lepucki, Randy Susan Meyers, Chris Hedges, and many more.

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It’s obvious from the nature of our High Seas event and the beautifully edited and designed anthology that both Kate and Katie have a passion for books and a talent for curating them. And, much to my delight, they enjoyed My Last Continent, which later made their list of bestsellers.

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The next time you’re in Boston, don’t miss “this tiny Boston icon,” as The Guardian calls it. In the meantime, follow Papercuts J.P.  on Twitter, Facebook, and Instagram.



Catch up on My Last Continent’s UK blog tour…

By Midge Raymond,

I am delighted that My Last Continent has just launched in the United Kingdom, and while it would’ve been fantastic to do an in-person tour of the UK, I loved doing this week-long blog tour, which was the next best thing…and tons of fun.

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I got to chat about My Last Continent, Antarctica, penguins, and so much more — and I got some terrific questions and enthusiastic reviews.

A million thanks to all of the fabulous bloggers who made this possible — and check out the tour stops via the links below…

July 21Annabel’s House of Books

July 22The WormHole

July 23Sincerely Book Angels

July 24Chick Lit Pad

July 25Jaffa Reads Too

July 26The Writing Garnet

July 27A Day Dreamer’s Thoughts

July 28 – Pub day! Featuring posts at Foyle’s and Female First … and a pick as July Debut of the Month!

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Two workshops at San Diego Writers, Ink!

By Midge Raymond,

I’m looking forward to teaching two workshops at San Diego Writers, Ink on Saturday, July 23, and I hope you’ll join me!

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The morning workshop, Say Anything: How to Write Great Dialogue, is from 10 a.m. to 12 noon. From portraying character to moving the plot forward, dialogue works hard in any story. In this hands-on workshop, we’ll study examples of good dialogue and discuss how and why these work, and we’ll go over tips for how to create your own authentic, realistic voices, with writing exercises that will reinforce the major tenets of effective dialogue.

In the afternoon, join me for Looking Beyond the Web: Research Tips and Tools for Writers, from 1 to 3 p.m. Whether you’re mining your past for a memoir or researching a new subject for a novel, the amount and quality of information you gather makes all the difference. In this workshop, we’ll discuss the importance of going beyond surfing the web, as well as the best ways to tackle research, including making contact, shadowing subjects, and conducting interviews.

For more details and to register, visit San Diego Writers, Ink. Writers are welcome to attend either workshop, and there’s a discount for taking both!



Join me at the Women’s Museum of California on July 10!

By Midge Raymond,

Join me on Sunday, July 10, at 4 p.m. for a the Women’s Museum of California’s Second Sunday Author Series: Women’s Voices, Women’s Stories.

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I am delighted to be part of this fabulous series, curated by Wild Women, Wild Voices author Judy Reeves and supported by San Diego Writers Ink and Point Loma Tea. And I am looking forward to an afternoon talking about My Last Continent, as well as women in science, women artists and writers, and so much more!

Click here to RSVP – I look forward to seeing you there!



Scenes from the book tour

By Midge Raymond,

The first two weeks of the My Last Continent book tour have been incredible — it was such fun to visit Boston, New York, Portland, and Seattle, as well as to celebrate here in Ashland.

As many of you know, my travel companion is Admiral Byrd (those of you who have read My Last Continent will know why he’s so named), and he’s the one who’s been photobombing all my book tour photos. The most frequent comment I get when people see Admiral Byrd in person is, “I thought he was so much bigger.” In fact, he’s a tiny little thing, given to me by a dear friend just before My Last Continent was published. It seemed so fitting that he should join me on the tour.

I’m heading to Southern California soon for another month of events (check them out here!), and in the meantime, here are a few scenes from the past couple of weeks. Join me on Facebook, Instagram, and/or Twitter to follow Admiral Byrd’s (and my) adventures as the tour continues!

Below: Admiral Byrd in the city of Boston and at Papercuts J.P., for a fabulous event with Mark Beauregard and Rachel Richardson….

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New York included visits to my brilliant agent and the amazing team at Scribner before a reading at Shakespeare & Co. that evening…

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The Ashland event at Bloomsbury Books was so festive, with an overflowing crowd of more than 60 friends and readers…

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Powell’s City of Books was especially fun as the crowd included a group of young writers whose energy and great questions made it a lively evening. (And if you’d like a signed copy of My Last Continent, you can order it here!)

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And at Seattle’s iconic Elliott Bay Book Company, I saw plenty of friends and met readers who came in from a gorgeous Seattle evening. (And Elliott Bay also has signed copies of My Last Continent…)

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Seattle: See you tonight at Elliott Bay!

By Midge Raymond,

I was so privileged to have read at Elliott Bay Book Company years ago, when Forgetting English was published, in its former location in Pioneer Square.

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Elliott Bay’s new Capitol Hill location is different in appearance, yet the spirit of this incredible store and its dedicated booksellers remains. I look forward to seeing you all tonight at 7 p.m.!



Join me at Powell’s tonight

By Midge Raymond,

I’m so looking forward to being at Powell’s City of Books in Portland at 7:30 tonight!

Thanks to the amazing Kat von Cupcake, I’m traveling with these sweet cookies, enjoying a lovely sugar high, and so this evening promises to be one of high energy.

See you soon, Portland!

 

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Join me at Bloomsbury Books tonight!

By Midge Raymond,

I’m so excited for my hometown book event in Ashland tonight at 7 p.m. at the lovely Bloomsbury Books.

It’s great fun to see My Last Continent in such good company here at the store … and with the temperatures reaching for 90+ degrees today, I’m looking forward to an evening of ice and penguins and all things Antarctic!

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MY LAST CONTINENT launches today!

By Midge Raymond,

I’m thrilled to see My Last Continent officially out in the world today!

Check out my Facebook page today for a #FacebookFirstReads live event, during which I’ll read from My Last Continent and chat about a scene from the book (at the location in Boston in which it is set).

And, if you’re in Boston, join me in person! I’m also excited to have the opportunity to talk about all things High Seas with Mark Beauregard and Rachel Richardson tonight at Papercuts J.P. in Boston. I loved their two books and am looking forward to a fun and lively chat.

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MY LAST CONTINENT among books “Bringing the Heat” this summer

By Midge Raymond,

I am delighted that My Last Continent is on Bustle’s list of Books That Are Bringing the Heat This Summer.

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My Last Continent is in fantastic company with books by Louise Erdrich, Terry McMillan, Annie Proulx, Anne Tyler, Jacqueline Woodson, Stephen King … and many other authors whose books are on my officially-a-fire-hazard reading pile.

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Check out this list at Bustle, and happy summer reading!



How to be your own editor

By Midge Raymond,

I was recently editing a document online for which my client had already done a spell check, and just to be safe, I checked the spelling one more time (the automated way). According to the spell check, all was well — but later, as I read through the document, I discovered that neither of these spell checks had caught the word improeved.  (I actually looked it up, thinking perhaps I was missing something, but no: improeved is not a word. Not in the English language, anyway, according to Merriam-Webster’s.)

In the same document, I found the word particilarly — also not a word, also not caught by spell check.

Which brings me to Lesson #1: Do not rely on spell check.

Many of us writers rely on ourselves to edit our own work; after all, good editing is expensive. We may have friends, or a writing buddy or group, to read over our stories or novels — and while we hope that these folks can recognize that words like improeved and particilarly need fixing, they may not have the eagle eyes that experts have. And I’m guessing that most average readers may not know (or care) how to properly use a semi-colon, or what a serial comma is, or when The Chicago Manual of Style calls for an open compound versus a closed one. Not every writer can be an editor — but every writer who wants to be published will eventually put his or her work in front of an acquisitions editor, and part of making a good impression is having a cleanly edited manuscript.

So what is a writer to do? If you can afford to hire an editor, go for it. (There are a great many resources out there, too many to outline here — but visit your local community writing center if you have one, see this post for more on how to hire an editor, and check out this list of editing rates to be sure you pay a fair rate.)

There are a few shortcuts when it comes to self-editing — like spell check (which clearly isn’t entirely reliable) and this free software that apparently targets cliches and overused words — but this leads me to Lesson #2: Writers who hope to be in the game for the long term would be wise to learn how to be their own best editors (even though we all, at some point before publication, need a pro).

Below are a few tips for self-editing — not a comprehensive list, by any means, but a few things to keep in mind so that you can make your manuscript as polished it can be before sending it out, as well as avoid the errors most likely to irritate agents and acquisitions editors.

  • Put the writing aside for a bit. When you come back to it with fresh eyes, you’ll be better able to spot errors in grammar, spelling, and punctuation, as well as clunky style issues.
  • Read widely when you’re not writing — and choose your material well. If you read professionally edited books and top newspapers and magazines, for the most part you’ll be getting good examples of what well-written, grammatically proper, and well-punctuated sentences should look like. If you read the work of prize-winning authors, you’ll be getting good examples of how to turn a phrase and how to construct a lovely sentence.
  • Read your work aloud. This is among the best ways to ferret out clunky sentences. If it sounds odd to your ears, there’s probably something going on grammatically or stylistically; rework and re-read until it sounds great out loud. Also, speaking the words helps you avoid some of the misspellings that spell check doesn’t catch: One writer I know submitted a piece to a critique group in which she’d used the word “pubic” instead of “public” (a mistake that was quite hilarious in the context of the story) — and while we’d all read the scene in question beforehand, not one of us noticed this typo until she read it aloud.
  • Read every word. Go through your piece sentence by sentence, word by word. This helps you check for misspellings that you might otherwise skim past, and it also helps you find missing words or repeated words. (I’m always amazed at how many of these show up in my own work…it’s embarrassing, really. But if you catch them all, no one else has to know.)
  • Ask a trusted reader to take a look. This isn’t exactly “self-editing,” but if you have someone who’s willing and able to read your work, ask. Even a casual reader might find a missing word or an odd spelling that is all to easy for you to miss because you’ve read the piece dozens of times.

And, finally, Lesson #3: Embrace grammar, style, and punctuation. Don’t make the mistake of being one of those writers who says, “I don’t need to know how to spell; that’s what editors are for.” These are the writers who very rarely make it to the point of having an editor because sloppy work doesn’t pass muster, especially in these days when getting published is more challenging than ever. So if there’s anything about grammar or punctuation that you don’t know, learn it. If you want to be a better stylist, study the authors you love and learn from them. As a writer your job is not only to tell the story and tell it well, but to hide all the strings (i.e., the grammar and punctuation and everything else that makes the story work on a mechanical level), so that readers can see only the story itself — or, better yet, disappear into the story altogether.