Category: The Writing Life

On being an everyday writer

By Midge Raymond,

Today I’m delighted to be one of the featured Writers on Writing over at the fabulous Passages North blog. This literary magazine, sponsored by Northern Michigan University, has published fiction (including one of my own stories a few years back), creative nonfiction, and poetry since 1979, and its blog is a treasure for readers and writers alike. Check it out for news on the magazine, submission advice, deadlines, and especially the wealth of information from Writers on Writing.

Thanks to Passages North for the opportunity to share my thoughts on being an everyday writer in a busy world!

Most of my writing days are revising days

By Midge Raymond,

In this  photo of my writing space, my cat apparently decided I would have to do without some of my notes—at least until he decided to move to another window.

(This isn’t normally the way I write, but I’ve learned over the years not to attempt to move a stubborn cat. I’ve got the scratches to prove it.)

On this particular day, I was working on a revision, and this is, in fact, what most of my writing days are like: They’re revising days.

For me, revision is the best part of the writing process, which many writers find a little insane (I mean, who likes revision?). But I always find it so much better than facing the blank page. This is why I so enjoy this little corner desk: It’s where I go after I’ve gotten a couple of pages typed up, or even a couple of lines; it’s where I take a red pen to my work, and it’s where the real writing begins.

I never know how many drafts it a story is going to take—but this is part of the fun. In Forgetting English, the range is vast: “The Ecstatic Cry” was written in nine drafts; “Rest of World” in eighteen; and “Lost Art” in more than forty. The title story actually began as a novel before I whittled it down to a novella and then, finally, a short story. Sometimes it takes this long to find the story, but the journey itself is always the best part.

I’ve discovered that I like to tackle a writing project from a revision angle because it feels less like a beginning than like a middle (and therefore closer to the end!). And I’m never bothered by the fact that my average story doesn’t get to the end before about twenty drafts. For me, a “draft” isn’t necessarily an entire rewrite but simply anything that’s different: If I change one phrase in a story, that piece moves from Draft #14 to Draft #15. There’s something satisfying about going through so many revisions; it means I’ve thought about every part of the story many times over, which any piece of writing requires before we can truly call it finished.

And for any of you writers out there who don’t yet embrace your early drafts, this Psychology Today article will comfort you: It offers a sampling of the much-scribbled-upon first drafts of works by Marcel Proust, John Updike,  Shirley Hazzard, and others — and the reminder that all good work takes quite a while to get there.

Bookstore geek: WinterRiver Books

By Midge Raymond,

In the heart of Old Town in Bandon, Oregon, you’ll find the lovely WinterRiver Books, a gem of a book and gift shop.

This bookstore its excellent in its devotion to local and regional books — while so many bookstores tend to have the same bestsellers on the front displays, WinterRiver Books offers a bit of everything, and it’s a great place to browse, especially if you’re in the mood for something different but aren’t sure what.

And WinterRiver Books goes beyond being a bookstore in its wonderful selection of gifts, many of which are eco-friendly, which is always great to see. The store also carries fresh bread from a local bakery…

…and this, in addition to the chocolate selection (which includes Theo Chocolate — mmm) basically means one-stop shopping for a bookstore geek.